Kamis, 08 Maret 2012

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Symbolism: Its Meaning and Effect, by Alfred North Whitehead

  • Sales Rank: #5919830 in Books
  • Published on: 1985-08-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.75" h x 5.50" w x .50" l,
  • Binding: Hardcover
  • 88 pages

About the Author
Alfred North Whitehead, who began his career as a mathematician, ranks as the foremost philosopher in the twentieth century to construct a speculative system of philosophical cosmology. After his graduation from Cambridge University, he lectured there until 1910 on mathematics. Like Bertrand Russell (see also Vol. 5), his most brilliant pupil, Whitehead viewed philosophy at the start from the standpoint of mathematics, and, with Russell, he wrote Principia Mathematica (1910--13). This work established the derivation of mathematics from logical foundations and has transformed the philosophical discipline of logic. From his work on mathematics and its logical foundations, Whitehead proceeded to what has been regarded as the second phase of his career. In 1910 he left Cambridge for the University of London, where he lectured until he was appointed professor of applied mathematics at the Imperial College of Science and Technology. During his period in London, Whitehead produced works on the epistemological and metaphysical principles of science. The major works of this period are An Enquiry Concerning the Principles of Natural Knowledge (1919), The Concept of Nature (1920), and The Principles of Relativity (1922). In 1924, at age 63, Whitehead retired from his position at the Imperial College and accepted an appointment as professor of philosophy at Harvard University, where he began his most creative period in speculative philosophy. In Science and the Modern World (1925) he explored the history of the development of science, examining its foundations in categories of philosophical import, and remarked that with the revolutions in biology and physics in the nineteenth and early twentieth centuries a revision of these categories was in order. Whitehead unveiled his proposals for a new list of categories supporting a comprehensive philosophical cosmology in Process and Reality (1929), a work hailed as the greatest expression of process philosophy and theology. Adventures of Ideas (1933) is an essay in the philosophy of culture; it centers on what Whitehead considered the key ideas that have shaped Western culture.

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1 of 1 people found the following review helpful.
DOES MANKIND HAVE TO FIND A “SYMBOL” TO EXPRESS ITSELF?
By Steven H Propp
Alfred North Whitehead (1861-1947) was an English mathematician [he is credited as co-writer with Bertrand Russell of Principia Mathematica] and philosopher, best known for developing Process Philosophy. He wrote many other books such as Process and Reality, Modes of Thought, Religion in the Making, etc.

He begins this 1927 book with the statement, “The slightest survey of different epochs of civilization discloses great differences in their attitude towards symbolism. For example, during the medieval period in Europe symbolism seemed to dominate men’s imaginations… With the Reformation a reaction set in. Men tried to dispense with symbols… But such symbolism is on the fringe of life. It has an unessential element in its constitution. The very fact that it can be acquired in one epoch and discarded in another epoch testifies to its superficial nature.” (Pg. 1)

He outlines, “I shall develop the thesis that symbolism is an essential factor in the way we function as the result of our direct knowledge… I shall also endeavor to illustrate the doctrine that all human symbolism, however superficial it may seem, is ultimately to be reduced to trains of this fundamental symbolic reference, trains which finally connect percepts in alternative modes of direct recognition.” (Pg. 6-7)

He explains, “It is the thesis of this work that human symbolism has its origins in the symbolic interplay between two distinct modes of direct perception of the external world. There are, in this way, two sources of information about the external world, closely connected but distinct.” (Pg. 30) He continues, “I have termed one perceptive mode ‘Presentational Immediacy,’ and the other mode ‘Causal Efficacy.’” (Pg. 31)

He states, “One part of our experience is handy, and definite in our consciousness; also it is easy to reproduce at will. The other type of experience, however insistent, is vague, haunting, unmanageable. The former type, for all its decorative sense-experience, is barren. It displays a world concealed under an adventitious show, a show of our own bodily production. The latter type is heavy with the contact of the things gone by, which lay their grip on our immediate selves. This latter type, the mode of causal efficacy, is the experience dominating the primitive living organisms, which have a sense for the fate from which they have emerged, and for the fate towards which they go… It is a heavy, primitive experience. The former type, the presentational immediacy, is the superficial product of complexity, of subtlety…” (Pg. 43-44)

He suggests, “We enjoy the symbol, but we also penetrate to the meaning. The symbols do not create their meaning: the meaning, in the form of actual effective beings reacting upon us, exists for us in its own right. But the symbols discover this meaning for us. They discover it because, in the long course of adaptations of living organisms to their environment, nature taught their use. It developed us to that our projected sensations indicate in general those regions which are the seat of important organisms.” (Pg. 57)

He observes, “Symbolism is no mere idle fancy or corrupt degeneration: it is inherent in the very texture of human life. Language itself is a symbolism… however you reduce the functions of your government to their utmost simplicity, yet symbolism remains… Just as the feudal doctrine of a subordination of classes, reaching up to the ultimate overlord, requires its symbolism; so does the doctrine of human equality obtain its symbolism. Mankind, it seems, has to find a symbol in order to express itself. Indeed, ‘expression’ is ‘symbolism.’” (Pg. 61-62)

Later, he summarizes, “My main thesis is that a social system is kept together by the blind force of instinctive actions, and of instinctive emotions clustered around habits and prejudices. It is therefore not true that any advance in the scale of culture inevitably tends to the preservation of society… But the fact that reason too often fails does not give fair ground for the hysterical conclusion that it never succeeds. Reason can be compared to the force of gravitation, the weakest of all natural forces, but in the end the creator of suns and of stellar systems.” (Pg. 68-70)

He concludes, “The doctrine of symbolism developed in these lectures enables us to distinguish between pure instinctive action, reflex action, and symbolically conditioned action. Pure instinctive action is that functioning of an organism which is wholly analyzable in terms of those conditions laid upon its development by the settled facts of its external environment, conditions describable without any reference to its perceptive mode of presentational immediacy. This pure instinct is the response of any organism to pure causal efficacy.” (Pg. 78)

He continues, “Symbolically conditioned action is action which is thus conditioned by the analysis of the perceptive mode of causal efficacy effected by symbolic transference from the perceptive mode of presentational immediacy… Reflex action is that organic functioning which is wholly dependent on sense-presentation, unaccompanied by any analysis of causal efficacy via symbolic reference. The conscious analysis of perception is primarily concerned with the analysis of the symbolic relationship between the two perceptive modes. Thus reflex action is hindered by thought, which inevitably promotes the prominence of symbolic reference.” (Pg. 80-81)

While this is probably not one of Whitehead’s “major works,” it will be of interest to anyone studying his philosophy.

4 of 5 people found the following review helpful.
Respect, Reverence & Revision
By Peter Uys
Here Whitehead deals with perception, epistemology, Hume, Kant, Burke, instinct, emotion & action in a rather challenging read. When one examines how a society shapes its individual members to function in conformity with its needs, it emerges that the primary agency must be our vast system of inherited symbolism. Symbols evoke loyalty to vague notions that are fundamental to humanity's spiritual nature.

The author pursues the thesis that symbolism is a key factor in the way we function as a result of direct knowledge. Distinguishing 'Direct Recognition' from 'Symbolic Reference,' he shows that all symbolism may be reduced to trains of reference which connect percepts in alternative modes of direct recognition.

Immediate perception of the external world is defined as 'presentational immediacy' whilst the other purely perceptive mode of experience is 'causal efficacy'. Conceptual analysis as third mode of experience introduces analyzable components into actual things in the real world, plus abstract attributes, qualities and relations.

He identifies the flaws of Hume & Kant in their objections to the notion of the direct perception of causal efficacy. Both schools find causal efficacy to be an importation into the data, a way of thinking about or evaluating the data. Hume's assumption that time is merely the generic notion of pure succession is an example of the Fallacy of Misplaced Concreteness. Where Hume errs with time, the Kantians err with space and time.

Whitehead also neatly assesses the best and the worst of Burke's thought with reference to his writings on the American & French revolutions, showing that Burke's revulsion at the excesses of the French one played a part in his subsequent regrettable opposition to all progressive reform and his embrace of the "prejudice" concept.

In order to appreciate the function of symbolism in the life of society one must scrutinize the binding and disruptive forces at work. The advantages of social cohesion and the contrary stimulus of heterogeneity bestowed by freedom are equally important and need to be balanced. Whereas the force of instinct suppresses individuality, symbols simultaneously preserve the health of the community and the freedom of the individual. Symbolic expression preserves society by tying instinct to emotion thus assisting reason to dissect the particular instinct.

Symbolism makes space for the individual within society and at the same time promotes stability and an environment for co-operation between individuals. Whitehead carefully categorizes action as instinctive, reflexive and symbolically conditioned. Pure instinctive action is the response of an organism to pure causal efficacy. Reflex action is a relapse towards a more complex type of instinct by those who have experienced symbolically conditioned action.

The great process philosopher argues that symbolism needs to be constantly pruned and modified by new forms of expression. Old symbols must be remolded in accordance with changes in social structure. The rituals and ceremonies associated with symbolic concepts tend to remain unchanged or become frozen in time while their interpretations are in constant flux. When instinct is not expressed, it becomes toxic as it festers underground, unknown and unexamined by the the force of reason.

Linguistic change is a good example; new words appear, old ones fall into disuse and others undergo shifts of meaning. Language is a living process built on layers of dead metaphor. Sounds and expressions participate in this process of change so in a way, expression is symbolism. A language unites a nation whilst permitting individual opinion including those contrary to the consensus.

Symbolic transference may involve arbitrary and malevolent attributions. Whitehead's analysis reminded me of Chantal Delsol's observation on the current intellectual climate in Europe. Without a sense of purpose, mankind embraces the fatuous as revealed in banal and clichéd discourse. Delsol calls it the "clandestine" ideology of our time, overt ideology having become taboo. This black market substitute is sickly sentimental, arbitrary and intolerant despite furious claims to the contrary.

With reference to the band Rammstein whose act is a particularly grotesque example of what Delsol terms "black market nationalism," Claire Berlinski reveals what the repression of profound instincts leads to. This brilliant analysis, simultaneously hilarious and horrifying, encompasses translations of their lyrics, their use of Leni Riefenstahl footage, their album cover imagery, videos of their songs and the nature of their live performances.

As a community changes, rules and cultural norms need to be revised in the light of reason. When old symbolic systems are rapidly discarded as in the case of the 20th century's secular salvationist ideologies or "isms", violent revolution, oppression and mass murder ensue. Stagnation which leads to regression brings about the same toxic fruits of tyranny and terror that we are witnessing today in the Jihad.

Both rigidity and disruption lead to human sacrifice. Preserving a free society thus requires respect for tradition combined with the constant reappraisal and revision of symbolic codes. Michael Polanyi's view of the role of tradition in his little classic Science, Faith and Society is quite enlightening in this regard. I also recommend Eric Hoffer's The True Believer, a seminal study of the nature of mass movements.

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[Y652.Ebook] Download PDF Roman Woodworking, by Roger B. Ulrich

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Roman Woodworking, by Roger B. Ulrich

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Roman Woodworking, by Roger B. Ulrich

This book presents an authoritative and detailed survey of the art of woodworking in the ancient Roman world. Illustrated with over 200 line drawings and photographs, Roman Woodworking covers topics such as the training and guild memberships of Roman carpenters, woodworking tools and techniques, the role of timber in construction and the availability of trees, and interior woodwork and furniture making. It also includes an extensive glossary of fully defined terms. This comprehensive book displays the accomplishment of the Roman woodworkers and their high skill and knowledge of materials and tools. Ulrich helps bring to light the importance of wooden projects and structures in Roman daily life and provides a wealth of information not only for classicists but also for those interested in the history of technology and the history of woodworking.

  • Sales Rank: #1394328 in Books
  • Published on: 2013-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .81" w x 7.01" l, 1.50 pounds
  • Binding: Paperback
  • 394 pages

Review
"This book will be the standard reference for students and scholars seeking either a broad understanding of ancient woodworking or specifics relating to it."—Rabun Taylor, author of Roman Builders: A Study in Architectural Process


(Rabun Taylor)

About the Author
Roger B. Ulrich is professor of Classics at Dartmouth College and lives in Hanover, NH.

Most helpful customer reviews

14 of 14 people found the following review helpful.
An amazing book!
By Irene Hahn
Roman Woodworking by Roger B. Ulrich is a comprehensive and fascinating work on Roman woodworking, aimed at classicists, historians, and modern woodworkers. However, it is a great source too for ordinary folk with an enquiring mind and interested in the Ancient Roman world. And fiction writers looking for background information should take note.

The book is written in an easy prose, and the illustrations are photographs from museums and other institutions as well as models and drawings by the author himself, plus the occasional chart or table. There are in all 205 black & white illustrations. The 400-page figure is deceptive, as the book is printed in the rather narrow Quadraat font, which takes a bit of adjustment to aging eyes.

The author draws heavily on ancient historians, among them Pliny's Natural History, Vitruvius' On Architecture, Isidore's Origins, Strabo's Geography, and Cato's de re rustica. Archaeological data include tools of all imaginable kinds, other artifacts, paintings from Herculaneum, scenes from Trajan's Column, the latter frequently referenced, and even a gilt decorated glass vessel in the Vatican Museum; and dedicatory and funerary monuments, which show many tools and working scenes. The paintings and the Column present mainly architectural structures, but not exclusively. In addition, Mr. Ulrich references a number of modern authors, beginning with Technologie und Terminologie der Gewerbe und Künste bei Griechen und Römern (Hugo Blümner, 1884). Until now, this topic had been mainly addressed by European scholars.

he cross-referenced Glossary of Roman Woodworking Terms, set in small font type, takes up 67 pages. There is also an Appendix: Archaeological Evidence of Roman Woodworking Tools, and of course a bibliography.

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
great book.

0 of 0 people found the following review helpful.
Two Stars
By Rufus
For a reenactor trying to reproduce pieces, this is worthless.

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Kamis, 01 Maret 2012

[J972.Ebook] Free PDF The Story of Sail: Illustrated with 1000 Scale Drawings, by V. Laszlo, Richard Woodman

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The Story of Sail: Illustrated with 1000 Scale Drawings, by V. Laszlo, Richard Woodman

From the earliest known craft of ancient Egypt to the surviving sailing ships of this century, this beautifully illustrated book covers every major step in the development of the sailing ship.

  • Sales Rank: #17083592 in Books
  • Published on: 1999-10-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.61" h x 1.18" w x 9.84" l, 3.97 pounds
  • Binding: Hardcover
  • 352 pages

Review
"Readers will want to pour over these drawings for hours...it is simply delightful to peruse, read and digest." -- Sea History, Spring/Summer 2004

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0 of 0 people found the following review helpful.
A Wonderful Resource For Maritime History Buffs
By Robert R. Little
I first read "The Story of Sail" in 2000, not long after it was initially published, and was dazzled by the sheer number of drawings it contained. The book is hefty, over three hundred and fifty pages, and hundreds of types illustrated, from the earliest examples of humans learning to harness wind and waves, to experimental sailing craft of the late twentieth century.
As a reference book for the history buff, the book succeeds. As a resource for the student of maritime history, it provides the sources for the drawings, though in some instances a few mistakes were made. One which stood out to me was on page 56, "Nina in 1492 (i)". The authors list the source as Bjorn Landstrom's "Das Schiff" (The Ship); in this case the source should be the same as the Pinta, and even then this points to the book that the drawings were gleaned from (Heinrich Winter's "Die Kolumbuschiffe von 1492"). Which brings me to another minor problem I have with the book; many of these drawings are based upon work found in other books. That in itself is not so troublesome. However, in most cases within this book, the reference tends to stop there. In the case of the aforementioned Nina, the actual source is E.A. D'Albertis' work in 1892.
So the occasional source chase ensues.
Regardless, the book is still a wonderful reference to have. Recommended.

0 of 0 people found the following review helpful.
Five Stars
By Bubbleman
Great book!

0 of 0 people found the following review helpful.
the best of its kind
By Frank Devones
this is the best ref book on sailing ships that i know of. line drawings are great. very few mistakes overall. a must have for those interested in the history of ships.

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Rabu, 29 Februari 2012

[T746.Ebook] Ebook Download Magnetic Circuits and Transformers: A First Course For Power & Communication Engineers, by Mit Electrical Engineering Service

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MIT Press c1943, 15th printing 1965 hardcover 718pp.

  • Sales Rank: #3226881 in Books
  • Published on: 1943-01-01
  • Number of items: 1
  • Binding: Hardcover
  • 718 pages

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Preschool Language Scale: Picture Manual, Spanish (Spanish Edition), by Irla Zimmerman, Violette Steiner, Roberta Pond

Sold as a bundle, 1 Examiner's Manual 1 Stimulus book 3 Original test forms

  • Sales Rank: #3878148 in Books
  • Published on: 2002-04
  • Original language: Spanish
  • Dimensions: 11.00" h x 9.50" w x 1.25" l,
  • Binding: Hardcover

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Jumat, 24 Februari 2012

[I786.Ebook] Free PDF Theoretical Kinematics (Dover Books on Physics), by O. Bottema, B. Roth

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Theoretical Kinematics (Dover Books on Physics), by O. Bottema, B. Roth

Classic, comprehensive treatment covers Euclidean displacements; instantaneous kinematics; two-position, three-position, four-and-more position theory; special motions; multiparameter motions; kinematics in other geometries; and special mathematical methods. Rigorous, elegant study. Over 800 examples. Bibliography. "...the finest treatment yet written..." — American Scientist.

  • Sales Rank: #2074434 in Books
  • Published on: 2012-01-18
  • Released on: 2011-12-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.45" h x 1.13" w x 5.38" l, 1.34 pounds
  • Binding: Paperback
  • 592 pages

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3 of 3 people found the following review helpful.
Best source for fundmantals for applications
By Eugene Tsiang
If you take the time to master just a porition of this encyclopedic refrence, you'll find a ready transition to the applied field in in kinematics of vehicle motion, robotics, optical imaging theory, theory of gears and even circuit theory and polarizations. Much of this material is either generalized in modern geometry to the point where the origins are completely obscured, or specialized to the point where it is impossible to see the "magic" behind the underlying theme. This should be a Theoretical Minimum in applied math. There is a deduction of one star because the wordiness in some sections can be expanded out in pictorial form for easier comprehension without the reader's resorting to pencil and paper at every turn.

6 of 8 people found the following review helpful.
An Important book but hard to read
By A Customer
This book is an important reference for any researcher in kinematics, it covers many important results for analysis and design of mechanisms. Unfortunately, this book is not easy to read for screw theory, which is not very popular outside kinematics, is used extensively. One particular problem for this book is that sometimes the authors tried to be too general and worked in n-dimension, this certainly would not help the readers as most of them only need kinematics in 3D.

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Jumat, 17 Februari 2012

[E338.Ebook] Ebook Free Relativity Visualized, by Lewis Carroll Epstein

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Relativity Visualized, by Lewis Carroll Epstein

Perfect for those interested in physics but who are not physicists or mathematicians, this book makes relativity so simple that a child can understand it. By replacing equations with diagrams, the book allows non-specialist readers to fully understand the concepts in relativity without the slow, painful progress so often associated with a complicated scientific subject. It allows readers not only to know how relativity works, but also to intuitively understand it.

  • Sales Rank: #361806 in Books
  • Published on: 1985
  • Original language: English
  • Number of items: 1
  • Dimensions: .76" h x 6.02" w x 9.02" l, .81 pounds
  • Binding: Paperback
  • 206 pages

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0 of 0 people found the following review helpful.
Relatively Intuitive
By Thomas Wikman
In my opinion the theories of relativity are among the most interesting intellectual achievements in human history. They revolutionized physics and changed the way we think about physics, space, time, mass, energy, electromagnetism and essentially everything in nature. Despite that fact, the theories of relativity are deterministic and possible to visualize, and unlike Quantum Physics they are not statistical in nature and they don’t have a big issue with interpretation.

I’ve been interested in this topic ever since I came across it as a high school student. Therefore I did not learn a lot about relativity from this book. I was more interested in the approach to explaining it, and I think his approach is a very good one.

I’ve found that an explanation for relativity that lacks rigor and quantitative reasoning creates misconceptions. The reader may end up thinking he understands it when he doesn’t. I’ve also found that books that focus on deriving complex equations were not only unattainable to the layman but sometimes left the mathematically inclined student with a poor understanding of relativity as well. Lewis Carroll Epstein’s book “Relativity Visualized” seems to succeed in making relativity accessible to both the layman and those who are mathematically inclined. He explains the special theory of relativity and the general theory of relativity using graphs, visual constructs, and logical puzzles that the reader solves for himself. In a sense he allows the reader to develop the theories of relativity on his own. He avoids equations and formulas but the reader will still discover more exactly what is going on.

One thing that really impressed me with this book is its special focus on the difference between what you see/experience and what you measure. As an example, take two lights that flash at the same time (in your reference frame). They could appear to flash at different times if the distance between them is large. So you will see them flash at different times. However, if you time the light flashes and take the distance into account you can measure that they flashed at the same time (non-relativistic situation). In relativity the differences you measure between frames do not only arise from the distance the light travels or from Doppler Effects but also from the relativity of time and space as well, and Epstein explains the details without confusing the reader. He focuses a lot on simultaneity/non-simultaneity right from the very beginning, and in my opinion understanding relativistic non-simultaneity is crucial to understanding what is going on.

The book also discusses the General Theory of Relativity. The General Theory of Relativity is often seen as completely off limits to the layman. It is typically explained using complex tensor calculus, differential geometry, and topology, or alternatively in a non-technical vague way that leaves the reader clueless. General Relativity was born out of an enigma. Special relativity had shown that energy and mass are the same things, so light has mass. A light beam traveling through a gravitational field must thus bend. However, that means that the side of the light closer to the mass will travel a shorter distance. From known properties of light (always a transverse/orthogonal wave) this means that the side of the light beam closer to the mass moves slower than the outer rim which would violate the constancy of the speed of light in vacuum. To solve this enigma Einstein had to introduce a time warp in gravitational fields. Later he discovered that this time warp would cause objects to fall towards the masses that caused the time warp and the practical effect of this turned out to be essentially identical to Newton’s theory of gravity and thus the mysterious force of gravity could be removed. Einstein also discovered that there is a warp effect on space which is negligible unless the speed of the objects is large (similar to magnetism for electric forces). The book helps you visualize all of this without using complex math.

Lewis Carroll Epstein’s book contains unique pedagogic approaches, novel geometric representations of relativity, as well as engaging questions and answers. For this reason the book is fiercely protected by copy right law. On the negative side, his writing style is somewhat rigid and old fashioned, the drawings and the graphics are sometimes of low quality, and the book might be quite a bit of work for the layman reader, so it requires that you are really interested. However, overall this is a very rigorous, detailed, correct, and yet fairly entertaining book that I highly recommend.

10 of 10 people found the following review helpful.
Not Enough Stars for This One
By M. J. Staley
In attempting to learn Einstein's theories of relativity (both special and general) I've accumulated pounds of books and DVD's, and no kidding, this is the best one yet. Not only is this book better than all of the others combined, but it's really all you need. As the title implies, the author uses primarily a visual approach to explain these theories.

Most of the book deals with special relativity (linear-moving frames of reference with no forces at all acting on them), and I already had a pretty good handle on that. My motive in buying this book was that it also deals with general relativity (gravity) and none - absolutely none - of my other books or DVD's covered that in any detail whatsoever.

Now, just because this book seems (to me) to be complete and understandable, this does not mean it's an easy ride - Mr. Epstein is excellent trail guide, but the trail is rough. There are equations, which means you'll have to remember your high school algebra-I, but the equations are not all that bad. If my 66-year-old brain, over a half-century removed from high school, can make sense of these equations, I'm sure you'll be fine.

More importantly, many things that you have found intuitive and common-sense to this point are going to be significantly challenged as speeds become relativistic (i.e. a significant percentage of the speed of light). Don't be surprised if you have to re-read chapters until you get the picture. Relativity is not intuitive and takes a lot of getting used to, but it's achievable.

In the arena of general relativity, this book really shines. Explaining general relativity on a two-dimensional page is next to impossible, so the author gives you some home experiments (paper, pen and scissors) where you can demonstrate the principles to yourself. The author's explanations of this not-at-all-easy subject borders on genius. On your first read, you may bypass the experiments, but I'll bet you get to them eventually. These experiments and explations are so clear, a high school senior could use them to build a legitimate science-fair project.

As I went through the book, I checked to see if a) the author covered all the ground that my other media did and if b) he added to my knowledge. The author passed with flying colors for special relativity, and for general relativity this author provided almost ALL my knowledge.

But there's bad news. This book is no longer in print, and as of the time of this posting, not an awful lot of used copies are being offered. If you want to learn the concepts of relativity, or know someone who does, I'd get a copy fast, because I don't think many owners of this book are going to be parting with it. In my case, this book will become part of my estate.

6 of 6 people found the following review helpful.
The principle of relativity
By Dawson C. Smith
The special theory of relativity was published in 1905, the general theory in 1915, though you wouldn't know it from the general ignorance of their most basic statements. Relativity Visualized is my favorite introduction to the subject, in a field crowded with good work, including what was written by Einstein.

If you would like to know why time passes more slowly for a moving object, you need only consult the light-clock diagram in Chapter 4. This illustration alone is worth the price of the book.

Why can we not travel faster than light? You'll find the answer in Chapter 5: "The reason you can't go faster than the speed of light is that you can't go slower. There is only one speed. Everything, including you, is always moving at the speed of light. How can you be moving if you are at rest in a chair? You are moving through time." An object moving through space must divert some of the speed it should be using for traveling through time. At the speed of light, there is no speed left for traveling through time. Photons do not age.

Those who want a little mathematics with their exposition might try Spacetime Physics, by Taylor and Wheeler. I prefer the first edition to the current one; the hardcover is nice, but the paperback edition with the maroon cover has the answers to the problems at the back of the book.

If you want a look at Einstein's papers, they're available in a paperback called The Principle of Relativity (Dover Books), a useful guide to which may be found in Annus Mirabilis: 1905, Albert Einstein, and the Theory of Relativity, by John Gribbin, or Einstein 1905: The Standard of Greatness, by John Rigden. In closing, I will mention The Einstein Theory of Relativity: A Trip to the Fourth Dimension, by Lillian Lieber.

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