Senin, 25 Januari 2010

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Book by Goyens, Chrys, Orr, Frank

  • Sales Rank: #1710396 in Books
  • Brand: Brand: Team Power Enterprises Inc
  • Published on: 2001-03
  • Original language: English
  • Number of items: 1
  • Dimensions: .75" h x 9.44" w x 12.29" l,
  • Binding: Hardcover
  • 144 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

0 of 0 people found the following review helpful.
The Rocket! The Greatest Canadien of all time!
By M.E.
An excellent and informative book about the greatest French Canadian hockey player ever. Well written, with many historical perspectives. Very awesome!!!

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A Canadian fan all his life and Maurice his favorite player, Very
By Amazon Customer
My husband was thrilled with this book. A Canadian fan all his life and Maurice his favorite player, Very good

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Sabtu, 23 Januari 2010

[M558.Ebook] PDF Download The Fungus Link Volume 3 Audiobook, by Doug A. Kaufmann, David Holland, Jami Clark

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The Fungus Link Volume 3 Audiobook, by Doug A. Kaufmann, David Holland, Jami Clark

Audio book

  • Sales Rank: #5063680 in Books
  • Published on: 1000
  • Binding: DVD-ROM

Most helpful customer reviews

32 of 33 people found the following review helpful.
This Book Could Give Back Your Health
By Cajunsmama
This was the third of Doug Kaufmann's books I've read and it really gave me some important insights on health problems I have had for years. I grew up on large doses of antibiotics for continual strep infections, and consequently also lots of major food allergies such as eggs, dairy, and gluten. I've also lived in various houses and apartments that had been flooded and had mold problems. After reading Doug's books, I had my doctor prescribe Diflucan and Nystatin and am on his Phase I diet for a month. I also have been taking a lot of natural antifungals all winter during this nasty flu season, and even though surrounded both a home and work by those sick with colds and nasty flu, I caught nothing, which for me is totally amazing. Doug's books and show, Know the Cause, are slowly giving me back my health, and I really think they'd do the same for anyone who read them and gave the program a real try.

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This is a great diet!
By PennieRoyal
My naturopathic doctor got my turned onto this diet years ago before I ever bought the book. I just bought the book to have on hand in case I ever need to reference it or pass it on to my kids. I got on this diet when I was 23 years old. Before I got of this diet I was pudgy, my eyes were always red, and I had terrible acne that covered my whole face. My life was consumed with using proactive, even coming home on lunch break from work to wash my face, and extensive makeup application even though I really grew to Hate makeup. I had tried a couple other diets and every pill, antibiotic, face scrub, and cream I could ever find (except Accutane) and nothing had helped me. Now, at 28 years old, I am completely acne-free and I attribute a large part of that to a lifestyle that revolves around this diet. Thanks to Doug Kauffman, he has made my life so much better.

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Life Changing
By Belle
Doctors study lots about bacteria and viruses, but unfortunately, they study very little about fungus. Kaufman's research shows that fungus is at the root of many health problems. The dysbiosis in our intestines caused by antibiotics, medications, chemicals and poor nutrition leads to fungal overgrowth. I found great help in following his Phase One diet as well as other suggestions presented in the book and on his TV show, Know the Cause. I highly recommend it.

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Likeness and Presence: A History of the Image before the Era of Art, by Hans Belting

Before the Renaissance and Reformation, holy images were treated not as
"art" but as objects of veneration which possessed the tangible presence
of the Holy. In this magisterial book, Hans Belting traces the long
history of the sacral image and its changing role in European culture.
Likeness and Presence looks at the beliefs, superstitions, hopes,
and fears that come into play as people handle and respond to sacred
images, and presents a compelling interpretation of the place of the
image in Western history.

"A rarity within its genre—an art-historical analysis of iconography
which is itself iconoclastic. . . . One of the most intellectually
exciting and historically grounded interpretations of Christian
iconography." —Graham Howes, Times Literary Supplement

"Likeness and Presence offers the best source to survey the facts of
what European Christians put in their churches. . . . An impressively
detailed contextual analysis of medieval objects." —Robin Cormack,
New York Times Book Review

"I cannot begin to describe the richness or the imaginative grandeur of
Hans Belting's book. . . . It is a work that anyone interested in art,
or in the history of thought about art, should regard as urgent reading.
It is a tremendous achievement."—Arthur C. Danto, New Republic

  • Sales Rank: #989147 in Books
  • Published on: 1997-01-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.38" h x 1.70" w x 6.63" l, 2.76 pounds
  • Binding: Paperback
  • 676 pages

From Library Journal
The icon, a representation of an early saint or religious personality, has a complex history. Belting, a professor of art history at the University of Munich who has authored several books on art history (e.g., Image & Its Public in the Middle Ages, Caratzas, 1989), focuses not on the art but the application and interpretation of the icon, offering a detailed examination of its use in early Christianity. The scholarship is excellent, but the book is not for the casual reader. The writing is complicated and difficult to follow, with an in-depth understanding of early Christian history assumed. The notes and appendix include pertinent quotes from medieval theologians. Recommended only for large academic libraries or special collections. (Illustrations and index not seen.)-Karen Ellis, Baldwin Boettcher Lib., Humble, Tex.
Copyright 1994 Reed Business Information, Inc.

Review
"I cannot begin to describe the richness or the imaginative grandeur of Hans Belting's book. . . . It is a work that anyone interested in art, or in the history of thought about art, should regard as urgent reading. It is a tremendous achievement." (Arthur C. Danto The New Republic)

"An opus magnum, one of those works of art history that can be counted among the books of the decade." (Oskar Bätschmann Neue Zürcher Zeitung)

Language Notes
Text: English (translation)
Original Language: German

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Renetta DeBlase
All of these books are references that I will read in the future.

3 of 5 people found the following review helpful.
A rare event
By paul
It does not happen very often that the lines of history are redrawn. Belting has done just this, not only about the past, but by very strong implication, about what is happening today. Is our current a-intentionalism a gateway into a new era of idolatry?

4 of 9 people found the following review helpful.
Revolutionized Art History
By Jolie311
One of the first art historians to take a look at art in its context and according to its function. It's a great read for those interested in art, culture and religion.

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Rabu, 13 Januari 2010

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Science and Technology of Rubber, Second Edition provides a general survey of elastomers and an examination of rubberlike elasticity, with an emphasis on a unified treatment ranging from physical theory to final applications. Researchers in polymer science and engineering fields will find coverage of recent advances, unsolved problems and projections, and processing.

Key Features
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* A unified treatment of the subject, with comprehensive coverage ranging from chemical aspects such as elastomer synthesis and curing, through theoretical developments and characterization of equilibrium and dynamic properties, to final applications

  • Sales Rank: #1508868 in Books
  • Published on: 1994-06-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 6.50" w x 1.50" l,
  • Binding: Hardcover
  • 751 pages

Review
"The book provides a good and well presented text for the science of rubbery polymers. Each author has collected an extensive bibliography which should prove useful to post graduate specialists."
--CHEMISTRY & INDUSTRY
"The whole volume is well referenced and indexed....I am not aware of any other single text which covers the scope of rubber chemistry and physics so fully at degree and post-graduate level. Certainly there is not one so generally up to date."
--RUBBER DEVELOPMENTS

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Minggu, 10 Januari 2010

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Using Art Media in Psychotherapy makes a thoughtful and contextual argument for using graphic art materials in psychotherapy, providing historical context for art materials and their uses and incorporating them with contemporary practices and theories. Written with an analytic focus, many of the psychological references nod to Jung and post-Jungian thought with keen attention to image and to symbolic function. This book jettisons the idea of reductionist, cookbook approaches and instead provides an integrated and contextual understanding of the origins of each art form as well as an insightful use for each in its application in mental health healing practices. Using Art Media in Psychotherapy gives clinicians and students alike the tools they need to offer psychologically minded and clinically astute choices that honor their clients.

  • Sales Rank: #806776 in Books
  • Published on: 2016-02-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.90" h x .60" w x 6.00" l, .0 pounds
  • Binding: Paperback
  • 218 pages

Review

"Using Art Media in Psychotherapy rightly argues against programmed, technique-laden recipes for using art materials and their corresponding processes. Avoiding the traps of a mechanized psychotherapy, Michelle Dean elegantly embraces her depth psychology roots of the imaginal realm, where images manifest through art media in order to exert their life force and lead the artist onward. Historically rich, sensitively written, and clinically savvy, this is a must-read book."

Michael A. Franklin, PhD, ATR-BC, professor and coordinator of the graduate art therapy program and the Naropa Community Art Studio at Naropa University

"This historically and culturally grounded exploration of art media in psychotherapy is informed by a wealth of experience. The origin of each art process is traced and awareness of its therapeutic value is threaded into a rich tapestry of theory and practice. Generously illustrated, this is an original and lively resource that will be welcomed by experienced practitioners and students alike."

Joy Schaverien, PhD, Jungian psychoanalyst and author of The Revealing Image

"Neither a recipe book on how to use art materials in therapy nor an esoteric treatise, Michelle Dean's text is a fine marriage between theory and practice. Interspersed with personal and professional anecdotes, mythological metaphors and deep theoretical and clinical examinations, it provides a rich examination of how and why a vast array of media and directives are used for clients from a singular perspective. It is deliciously readable and clinically enlightening for those inside―and outside―the field."

David Gussak, PhD, ATR-BC, professor and chair of the department of art education at Florida State University

"With this book, Michelle Dean has added her voice to an ever-growing chorus of art therapists, counselors, and psychotherapists who are committed to including art making in the complex process of psychotherapy. Dean avoids the temptation to provide easy, prescriptive tasks that inevitably lead to superficial incorporation, opting instead for a much deeper and richer discussion of the art process in psychotherapy that is quite literally beyond the bounds of linear discursive language."

Bruce L. Moon, PhD, ATR-BC, HLM, LPC, professor of art therapy at Mount Mary University

"Using Art Media in Psychotherapy offers us the depth of meaning that comes through the lens of historical example, and welcomes back the voice of soul in art psychotherapy. I am delighted to use this both with students and on my own; it is a text that infuses art therapy intervention with the richness offered by engagement with mystery."

Abbe Miller, MS, ATR-BC, LPC, director of the graduate art therapy program and associate professor in the department of psychology at Albertus Magnus College

"Michelle Dean delivers invigorating, contemporary scholarship with Using Art Media in Psychotherapy. She masterfully fuses psychotherapeutic theory to reflective practices within sacred myth and symbol. The clinical and media examples describe an epic of evolution for the nuanced use of crafted materials. This book regenerates lacuna between art and psychotherapy, between activated imagination and meaningful care of the soul. Will art therapists enact venturesome journeys from positivistic worlds to the phenomenological shores of ‘integrating things anew’?"

Natalie Rae Carlton, PhD, art therapy educator

"This thoughtful addition to the literature of art therapy elucidates the roots of visual imagery via a cultural framework that includes aesthetics, mythology, iconography, religion, and philosophy within an analytic approach. Michelle Dean’s refreshing contribution, at times elegantly crafted, will be useful not only for the beginning clinician but will enliven the thinking of the professional. Detailed and easy-to-follow descriptions of art materials and art interventions are generously offered."

Elizabeth Stone Matho, MA, ATR-BC, LP, LCAT, psychoanalyst, art therapist in private practice, and faculty at the Ecole de Psychologues Praticiens in Lyon, France

"This is an extremely well written and comprehensive text that describes the use of media and methods of application while elucidating the value of imagery as an active and integral component of psychotherapy. Michelle Dean beautifully synthesizes historical artistic expression with philosophy, psychology, myth, culture, and the processes of creativity while maintaining the integrity of the therapeutic relationship in the description of sound clinical interventions."

Juliet King, MA, ATR-BC, LPC, director of the graduate art therapy program at Herron School of Art and Design

About the Author

Michelle L. Dean, MA, is the cofounder of the Center for Psyche & the Arts (http://psychearts.org). She is a board-certified art therapist, a licensed professional counselor, and a certified group psychotherapist. In her clinical practice, she provides a warm and compassionate approach in which to explore and heal. She is also a clinical supervisor and an esteemed, nationally recognized educator and consultant. Her work has been recognized through many distinguished awards and several interviews in print, radio, and television.

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0 of 0 people found the following review helpful.
A Wonderful Guide to Using Art in Therapy
By Jeannine
Dean provides a comprehensive look at using art in psychotherapy. This well-written book is logically organized and helpfully illustrated with examples. It's a must have for those who are using art with clients in their practice. I can even see it as a required textbook in psychotherapy programs.

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Sabtu, 09 Januari 2010

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  • Sales Rank: #4536954 in Books
  • Published on: 2008
  • Original language: Spanish
  • Binding: Paperback
  • 192 pages

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Jumat, 08 Januari 2010

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The Stranglers have outlasted and outsold virtually every other band of their era, recording ten hit albums and releasing 21 Top 40 singles. Their list of hits, including Golden Brown, were written against a background of spectacular success, dismal failure, drug dependency, financial ruin, infighting and misfortune.

As a response to David Buckley's one-sided biography of the band ("No Mercy" Hodder & Stoughton, 1997) and the band’s reticence to reveal the true meaning behind their songs, Hugh Cornwell, founding member and songwriter, sets the record straight, displaces the myths and for the first time explains the real stories behind The Stranglers, his departure and the origins of their songs.

  • Sales Rank: #275767 in eBooks
  • Published on: 2011-08-01
  • Released on: 2011-08-01
  • Format: Kindle eBook

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5 of 6 people found the following review helpful.
A great Band Song By Song!
By Glenn S. Hawley
I really enjoyed this overview of The Stranglers song catalog, As told by Hugh Cornwell. I thought it might be dry and sort of boring in some respects, but I was thankfully Wrong! I found myself re-exploring songs and albums from a new jumping off point. Hugh speaks in actual musical terms, he addresses lyrical content, inspirations, as well as the cultural world of Music while they were being created. I have loved this band for so long so I was thrilled to see this book available in America. Never just another Punk Band, The Stranglers should be part of your Life, like they were part of Hugh's, and mine!

2 of 3 people found the following review helpful.
Cornwell Does Not Tell All, But He Does Not Need To!
By Peter Yarmouth
This was a fairly quick read as Hugh Cornwell tells us his version of THE STRANGLERS history song by song. Using this format it is far from the full story that you could read in NO MERCY (the other Stranglers biography that Hugh claims is Jet Black's version even though he is not the author)
As a fan of Hugh's music I truly enjoyed reading this.He tells the history of each song instead of a biography of The Stranglers. If you are a big Hugh fan as well you need this. A casual fan or someone looking for a true band biography should read No Mercy.

10 of 10 people found the following review helpful.
Excellent Stranglers Historical Document
By god
While it's true this is only for the ardent Stranglers fan (i.e.--one who has followed them through any period containing Hugh Cornwell), many of the stories regarding the punk zeitgeist and tenor of the period in regards to the band's dealings with chart success, record companies, producers and the British press bring a fresh take to the well-documented punk era, and all that followed in its wake.
Though the interviewer tends to over-involve himself at times (opinions, lack of basic studio knowledge, etc.), he keeps the ball rolling with pointed questions and in-depth discussions of seemingly minute details; most often guiding Cornwell to other interesting points. One such item involves the "MenInBlack" theme in which the band entrenched themselves in the period '79-'80. You get not only the Cornwell explanation of the phenomena, but his personal views, why the band was so interested, yada yada yada...
A very impressive aspect of the book is the overall message that The Stranglers were never totally meshed-in with what is generally considered the "Punk" idea. While most groups were more concerned with looking the part or getting their rocks off, Cornwell and the boys appear quite conscious of their place among the UK music industry. There is much talk of chart positions, commerciiality, calculated structuring of songs and albums, record company pressures, and much more in that vein. These guys were professionals. Music was their job. They ran a business, and Song By Song details the growth and dissipation of The Stranglers as a commercial outfit.

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Kamis, 07 Januari 2010

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  • Sales Rank: #1960316 in eBooks
  • Published on: 2014-12-16
  • Released on: 2014-12-16
  • Format: Kindle eBook

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Black dog, red dog: Poems (The National poetry series), by Stephen Dobyns

First Edition, first printing 1984 paperback / The National Poetry Series. Some light fading on cover and a faint crease across the spine. Otherwise, a very good copy. Clean, crisp pages. No markings of any kind.

  • Sales Rank: #5266521 in Books
  • Published on: 1984
  • Number of items: 1
  • Binding: Paperback
  • 84 pages

Most helpful customer reviews

5 of 5 people found the following review helpful.
Dobyns at his best
By A Customer
I first picked up a copy of Black Dog/Red Dog when I was a teenager, and it blew my mind. Since that moment, Dobyns has been one of my favorite poets. Much of the poetry is raw and/or angry, but it is never self indulgent. The poems are written in his characteristic prose like style, and you can see the influence of his journalism background. These are some of the most powerful and honest poems I have ever come across. I highly recommend this book to anyone who loves poetry.

2 of 2 people found the following review helpful.
black gun, red gun
By megabigeye
I suppose that these poems aren't for everyone, nor is the poet. but then, what is? I personally love them (the poems and the poet), though I know poeple that don't.

Some claim that Dobyns's verse is too prosaic, that it is closer to prose, broken into lines, than it is to actual poetry. I would argue that the poems in this volume are closer to prose poetry, than to prose or poetry, per se. Dobyns's style does not consist of subtlety of language, but straight forward sentences with subtle rhythms. The sentences are often short and forceful, violent. Others are longer and equally vivid, and together they create that subtle rhythm of words and ideas. "This morning as dawn broke I was walking / at the outskirts of town. I saw the first light / strike the clapboard front of the general / store next to the woods, reflect from the silver / chrome of a chash register in the front window." (from "Caverns of Darkness," p. 5) The attentive reader will recognize that these poems are not simple-minded. One need not read each poem over and over to catch each line, but in order to make sense of each poem as a whole. The ideas are as subtle as the rhythms, but once they hit you.... you'll realize you can only read one at a time. These poems need a bit of time to soak in, to wallow in the misery, and to finally come 'round and think maybe things aren't so bad after all. In a dark world, or a dark night, Stephen Dobyns sees a faint light, stray and shimmering.

0 of 14 people found the following review helpful.
Dobyns Does Not Improve With Age
By A Customer
Stephen Dobyns has consistently been a boring poet, that is, he calls himself a poet and his editors have gone along with the subterfuge. He writes mostly prose broken into lines. When he reads, his prosiness becomes even more apparent and unbearable. Why is he considered one of the country's best poets? I have no idea. The only thing I can figure is that we have reached the sorry pass where our academic MFA professors and their students like anything that doesn't sound like poetry. No need to despair, though. There are still good poets out there. YOu likely won't find them being published in the pages of our most "respected" journals, like APR or Poetry, however.

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