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Never has one character of the stage provoked such controversy or achieved such infamy as Shakespeare's enigmatic Shylock. For four centuries the money lender of "The Merchant of Venice" has been reinvented as both villain and victim, as an object of tragedy and comedy, and has been used as an economic symbol and often as a lightning rod for anti-Semitism. But what was Shakespeare's attitude toward the character described on the play's title page in 1600 as "a man of extreme crueltie", and what should be our own? With brilliant historical perspective and insight, theater critic John Gross explores the complex and influential history that has given Shylock a life beyond the play and established him as a figure of world mythology. Illuminating Shylock's evolution on the stage, his importance to writers and psychologists, and his enduring influence on society and culture, John Gross sheds as much light on our own shifting attitudes and beliefs as on the rich and disquieting figure Shakespeare created.
- Sales Rank: #2198590 in Books
- Color: Cream
- Published on: 1994-01-04
- Released on: 1994-01-04
- Original language: English
- Number of items: 1
- Dimensions: 8.44" h x .90" w x 5.50" l, 1.12 pounds
- Binding: Paperback
- 384 pages
- ISBN13: 9780671883867
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
From Library Journal
Amazingly, Shylock is in only five scenes in the Merchant of Venice. Yet, as pointed out by Gross, the theater critic for the London Sunday Telegraph , his impact and significance transcend his physical presence, so much so that his name and "pound of flesh" idea are almost universally known. In the first part of this character/cultural study, Gross examines the antecedents of Shylock and the play, and his development within the play. The second part considers "interpretations" both theatrical and literary in England and America until World War II; the third part considers Shylock more broadly as a touchstone (e.g., how his "type" is used by the Victorians--Trollope's Lopez, Dickens's Riah, Ruskin's use of him in Munera Pulveris ). There's not much new here--Shylock and Merchant of Venice have both consumed tons of interpretive ink--but the book is readable and puts a lot of sundry information in one place. For collections heavy in Shakespeariana and/or Judaica.
- Robert E. Brown, Onondaga Cty. P.L., Syracuse, N.Y.
Copyright 1993 Reed Business Information, Inc.
From Publishers Weekly
Gross sheds new light on Shakespeare and anti-Semitism in this valuable and entertaining study of attitudes toward the Bard's Jewish usurer.
Copyright 1993 Reed Business Information, Inc.
From Kirkus Reviews
Shylock--stereotype, archetype, icon--is, according to London Sunday Telegram theater-critic Gross (The Rise and Fall of the Man of Letters), the only character in a Shakespeare play to have an autonomous life. By tracing Shylock's origins and forms in literature, theater, and political and social history, Gross emphasizes his chameleonlike nature and what it reveals about the cultures in which he appears. An object of fun, contempt, pity, and rage, Shylock first appeared as the ``Satanic Jew''--the evil figure to be overcome--in The Merchant of Venice, written between 1596-98. An archetypal usurer with origins in folklore, politics, and popular culture, he embodied, says Gross, the era's ambiguities toward Jews, money, misers, and, on another level, toward emerging Economic Man, embodied in Shylock as a tough-minded businessman caught up in the court system and unable to protect his family or what he perceives as his rights. In the 18th century, Shylock was played as a clown, or as wolfish and cunning, until Edmund Kean's consummate interpretation in his London debut in 1814, a performance admired and immortalized by Hazlitt for the sympathy it evoked. A Victorian interpretation by Henry Irving displayed a Shylock possessed, the victim of persecution. Since then, Gross contends, literary critics from A.C. Bradley to Mark Van Doren, novelists from Sir Walter Scott to James Joyce, social theorists including Ruskin and Marx, psychologists from Freud to Reich, and all the great actors- -Gielgud, O'Toole, Olivier--have contributed to the evolution of a subtle, conflicted, mysterious Shylock who has acquired the archetypal dimensions of a Don Quixote or Robinson Crusoe. A lucid, perceptive, and learned guide that makes the familiar interesting and the esoteric familiar. A new incarnation for Shylock. -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Five Stars
By MB
Nice book
0 of 1 people found the following review helpful.
ONE OF THE BEST RESOURCES FOR MERCHANT OF VENICE!!!!!
By million appell
this book has been absolutely fantastic for the class i am taking in Shakespeare! John Gross brings up ideas that are new to me and to the class...Easy reading, clearly set out ideas..I recommend it to all students of literature. Glad I found it...Million Appell
12 of 13 people found the following review helpful.
Shylock in Context
By Kindler
John Gross' work is very readable, yet also very scholarly. We learn about the real situation of Jews in Venice, the real role of "usury" (despite official attitudes to it) in Elizabethan England. The ties to traditional dark Medieval myths about Jews are explained. Also we are told about famous performances of Shylock, including by Jewish actors. Anyone interested in the stage, Shakespeare, great characters, or Jews and the myths about them ... will want to own this book.
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